Throwback Thursdays Retro Video Project Pres; Black Sabbath & Monster Magnet

This week on my Throwback Thursdays Retro Video Project; Black Sabbath and Monster Magnet.

You wouldn't normally think of Sabbath as subject for some artsy film mashups but there's a couple.

BLACK SABBATH ~ "EMBRYO";


This one uses one of the earliest short clips from Edison Studios circa 1894.

BLACK SABBATH ~ "FX";


For this little effects noodle I used some Edison Studios footage taken from the 1901 Pan-Am Expo in Buffalo which was incidentally where President Willaim McKinley was shot.

MATMOS ~ "FX";


This cover of the Sabbath song was from a Black Sabbath cover album and I used some more Edison Studios footage, this time of the aftermath of the San Fransisco earthquake and fire of 1904.

MONSTER MAGNET ~ "INTO THE VOID";


This epic cover came from yet another Sabbath tribute. Uses a Polish film based on the Gogol story "The Portrait".

MONSTER MAGNET ~ "EGO THE LIVING PLANET";


With their 1995 album "Dopes To Infinity" album Monster Magnet produced the greatest album Black Sabbath never made. More footage from the Edison Studios footage of the San Francisco Earthquake for this instrumental.

MONSTER MAGNET ~ "MASTERBURNER";


For this track I used a short art film made by Yoko Ono as part of Flux Films, a Dada art Collective in 1967.

MONSTER MAGNET ~ "KING OF MARS";


This video used another art film, by Robert Breer from 1970

BLUE CHEER ~ "MAGNOLIA CABOOSE BABYFINGER";


Before there was Black Sabbath there was Blue Cheer. This vid uses some test footage from a horror film from the British studio Hammer Films in the 1960's

Throwback Thursdays Retro Video Project Pres; Monoton

More from my Throwback Thursdays Retro Video Project. This week; Monoton.
German electro group Monoton was actually Konrad Becker who released a debut album in 1982 of dark atmospheric drones called "Monotonprodukt 07". The album was quite obscure at the time but it has since been cited as an influence on later electro-minimilists and was re-released in 2003.

MONOTON ~ "FIRE";


This video uses an early 1908 DW Griffith film "The Lonely Vila", about a home invasion. I also used this film for a Cabaret Voltaire video but couldn't decide which I liked better so I kept both.

MONOTON ~ "NEW";


This video uses one of the early Edison Studios shorts from 1898.

MONOTON ~ "WHEREAMI";


This one uses another Edison Film, "Uncle Josh In A Haunted Hotel" from 1900. Uncle Josh was a recuring character of a rural rube who has adventures in the big city as the subject of a series of Edison shorts. This one is notable in having a supernatural theme.

MONOTON ~ "SINGSANG";


This video uses an ealy french film "Arab Sorcerie".

MONOTON ~ "SOUND SEQUENCE";


This video uses a short art film by Joe Jones made for the Flux Films collective in 1966.

MONOTON ~ "VIBRATIONS";


Another art film from the Flux Collective, "Exit" by George Brecht.

MONOTON ~ "SHORT WAVE TRANSMISSION";


For this one instead of using a vintage silent film I used a modern silent short "Locked In" by Mathew Zellner that I thought needed a soundtrack.

Throwback Thursdays Retro Video Project Pres; Killing Joke

This week on my Throwback Thursdays Retro Video Project; Killing joke.

Killing Joke's 1980 first album practically invented Industrial Rock. There had been Industrial bands since the mid seventies with groups like Throbbing Gristle, Cabaret Voltaire and Destroy All Monsters. But these groups largely rejected traditional rock & roll lineups, riffs and song structures, aside from a few exceptions like Cabaret Voltaire's "Nag Nag Nag" or their cover of the Seeds' "No Escape'. Killing Joke however were clearly a rock and roll band with punishing riffs and pounding drums.

KILLING JOKE ~ "CHANGE";


For this song off the second 1981 album I used footage from the end of the 1916 German Expressionist Horror film "Homunculus". Although little known now this film was one of the influences on later horror films like "Frankenstein".

KILLING JOKE ~ "BLOODSPORT";


This instrumental off the first album uses an early American film "Fire".

KILLING JOKE ~ "$0.36";


This one, also off the first album, uses an earlier fireman film, Edwin S Porter's "Life Of An American Fireman from 1903. I also used this film for a Siouxsie & The Banshess film but decided to keep both versions.

KILLING JOKE ~ "TOMORROW'S DREAM";


Another song off the first album, this time using a short art film "Bad Burns" by Paul Sharits from 1982 made of spliced together strips of over-developed film. Note I had some sound problems on this one. Note also this is not a cover of the Black Sabbath song.

KILLING JOKE ~ "THE FALL OF BECAUSE";


This song off the second album uses a French Pathe film

KILLING JOKE ~ "HARLEQUIN";


This one is off of the fourth album, "Fire Dances", and uses a British film that features some early claymation

The Throwback Thursdays Retro Video Project Pres; Savage Republic, pt.2

This week on my Throwback Thursdays Retro Video Project; Savage Republic pt.2.
Once again we return to my favorite obscure post-punk-indie band (American division) with their unique spaghetti-western-surf-guitar and industrial-tribal drums.

SAVAGE REPUBLIC ~ "EXODUS";


This echo and feedback drenched track form the first 1982 "Tragic Figures" album uses Edison Studios newsreel footage from a huge fire in Berkley, California.

SAVAGE REPUBLIC ~ "ATTEMPTED COUP; MADAGASGAR";


Another track off the first album this time using footage from another one of Spanish film-maker Segundo De Chomon's late period actualities, this time shot in Venice in 1912.

SAVAGE REPUBLIC ~ "EMPTY QUARTER";


For this one I used another Edison Studios newsreel footage of a fire, this time a gas refinery in New Jersey in 1900.

SAVAGE REPUBLIC ~ "WHEN ALL ELSE FAILS";


Another track off the first album and one of the bands rare vocals. This time using George Melies film "The Haunted Convent".

SAVAGE REPUBLIC ~ "ON THE PROWL";


For this track I used "The Hasher's Delirium", an early piece of animation.

SAVAGE REPUBLIC ~ "ZULU ZULU";


This short track off the first album uses a short Dada art film made by Paul Sharits for the Fluxus Film collective in 1966.

The Throwback Thursdays Retro Video Project Pres; Destroy All Monsters pt.1

Another in my Throwback Thursdays Retro Video Project. This week; Destroy All Monsters.
Possibly the first American Industrial band, Destroy All Monsters were formed in Detroit in 1974 as an experimental performance art/noise band making numerous recordings (mostly crude instrumentals) but had few actual releases until 1977 by which time most of the original members had left and been replaced with Ron Asheton (ex Stooges and Micheal Davis (ex MC5) who turned the group into a more conventional punk band. This latter version of the band is better known, Sonic Youth's Thurston Moore oversaw a three CD box set which included most of the original band's work. Given the band's obscurity it's probably safe to say my videos are the only ones.

DESTROY ALL MONSTERS ~ "CHURCH";


This track uses a snippet of footage of an American TV play from the mid-1930's. Almost no TV footage exists from this era and this footage was shot by somebody aiming a home movie camera at a TV screen. Little is known about the actual show.

DESTROY ALL MONSTERS ~ "CONGA";


This track uses newsreel footage from the 1904 San Francisco earthquake and fire.

DESTROY ALL MONSTERS ~ "CRUNCH DRONE";


For this track I used a 1909 film "Airship Destroyer".

DESTROY ALL MONSTERS ~ "SPACE BEAT";


This video uses a short abstract art film by Robert Breer from 1970.

DESTROY ALL MONSTERS ~ "THRONE OF CHAOS";


This one uses another Robert Breer film, "Eyewash" from 1959.

DESTROY ALL MONSTERS ~ "IT HURTS ME";


This one uses a 1900 Edison Studios film "Faust & Margarite", one of the first films to have a supernatural/horror theme.

The Throwback Thursdays Retro Video Project Pres; Wire

This week on my Throwback Thursdays Retro Video Project; Wire.

One of the first generation of Art-Punks (along with Siousxie & The Banshees, The Fall, Ultravox, Subway Sect, Alternative Televison, Soft Boys and Desperate Bicycles), Wire quickly gained a different approach from the basic three chord thrash on their three albums from 1977 to 1979, plus a live album in 1981. After breaking up for a decade they reformed in 1987 and took up right where they left off and they're still at it to this day, albeit sometimes with a different drummer.

WIRE ~ "LOWDOWN";


For this classic from the 1977 second album, "Pink Flag", I used a clip from a 1920's western starring Jack Hoxie which seemed to fit the almost Ennio Morricone feel of the song. Too bad the last few seconds of the fadeout got cut off. I also used this vid for a Fingerprintz vid.

WIRE ~ "STRANGE";


WIRE ~ "FRAGILE";


This one uses some 1920's aerial footage of Wiemar Berlin

Another song off "Pink Flag" this time using a 1907 film by Spanish film-maker Segundo De Chomon, a contemporary of French director George Melies whose style he built upon. I used this film for a Siouxsie & The Banshees song but could decide which I liked better so I kept both.

WIRE ~ "STRAIGHT LINE";


A song off the first album using an early Edison Studios film with a crude attempt at special f/x.

WIRE ~ "A TOUCHING DISPLAY";


for this song off the "154" album I used "Bob's Electric Theatre" by Segudo De Chomon

WIRE ~ "FIELD DAY FOR THE SUNDAYS";


This song from the first album uses a short Dada art film made for the Fluxus Film Collective by George Maciunas circa 1967.

The Throwback Thursdays Retro Video Project Presents; Simple Minds

More from my Throwback Thursdays Retro Video Project. This week; Simple Minds.

I know everybody remembers them from "The Breakfast Club", "Don't You Forget About Me", and that terrible hit album they followed it up with, blah, blah blah. But they had actually been around for several years by that time having recorded six fine albums full of atmospheric, almost cinematic songs (including several instrumentals) that naturally lent themselves to silent film. At least I always thought so.

SIMPLE MINDS ~ "PLEASANTLY DISTURBED";


The epic closer off their 1979 first album "Life In A Day" mashed up here with a 1915 film "The Portrait", based on a Nikolai Gogol story directed by Polish director Władysław Starewicz, who would later be better known as a pioneer in stop action animation. This little known film is one of the first real horror films and was an obvious influence on the later German Expressionist films especially the classics "The Student Of Prague" and "Faust".

SIMPLE MINDS ~ "REAL TO REAL";


A song off the 1980 second album "Reel To Real Cacophony" using an odd French farce "The Magic Prisoners", which experiments with backwards projection to show some prisoners apparently falling upstairs and breaking into jail.

SIMPLE MINDS ~ "SCAR";


Another song off the second album using a using a short art film, "Tails" from 1976, by Paul Sharits. This film spliced together the faded, underdeveloped ends of other films, hence the title. I used this same film for songs by Cabaret Voltaire and Siouxsie & The Banshees but couldn't decide which version I liked better so I kept them all.

SIMPLE MINDS ~ "CACOPHONY";


An instrumental off the second album using a 1907 film "En Avant Le Musique" by Spanish director (albeit working in France) Segundo De Chomon, a contemporary of George Melies whose style he built upon.

SIMPLE MINDS ~ "VELDT";


Another instrumental off the second album using yet another Segundo De Chomon film "Les Lanatiques" from 1908.

SIMPLE MINDS ~ "FILM THEME";


Yet another instrumental from the second album, this time using some newsreel footage from Edison Studios of an gas refinery explosion from the early 1900's.

SIMPLE MINDS ~ "KANT KINO";


Another track off of "Reel To Real", this time an instrumental, using an early (1902) stop action film "The Destruction Of The Star Theatre" by Edward Armitage

SIMPLE MINDS ~ "ROOM";


Another track from "Empires & Dance" using a 1969 performance art film by Ben Vautier

Next time; More Simple Minds.

The Throwback Thursdays Retro Video Project Pres; Siouxsie & The Banshees (pt.2)

More from my Throwback Thursday Retro Video Project. This week; Siouxsie & The Banshees, pt.2.

SIOUXSIE & THE BANSHEES ~ "HALLOWEEN";


This is a song off their best album, "Ju-Ju" from 1981. The video uses a 1907 short by the Spanish-French film-maker Segundo De Chomon, a contemporary of the more famous George Melies, whose style he expanded on.

SIOUXSIE & THE BANSHEES ~ "VOODOO DOLLY";


Another song off of "Ju Ju" using a Segundo De Chomon film.

SIOUXSIE & THE BANSHEES ~ "LET GO";


This song is a b-side off the 1984 "Swimming Horses" single using another Segundo De Chomon short film, "Les Oeufs De Paques" from 1907. I also used this film for an Ultravox song.

SIOUXSIE & THE BANSHEES ~ "PULLED TO BITS";


This song was originally a b-side that later appeared on the 1983 live album "Nocturne" using newsreel footage from the collapse of the Tacoma Bridge in 1946.

SIOUXSIE & THE BANSHEES ~ "SWITCH";


A song off their debut 1978 album "The Scream" using an Edwin S Porter film "Life Of An American Fireman from 1903.

SIOUXSIE & THE BANSHEES ~ "ISRAEL";


This track uses an odd short film featuring miniaturized versions of the Denishawn Dancers, an influential Modern Dance troupe from the 1910's.

SIOUXSIE & THE BANSHEES ~ "WE HUNGER";


This is a song from the 1984 "Hyena" album. This is a clip from a longer film "Shoes" (1916) directed by Lois Weber and seemed to fit the song perfectly.

SIOUXSIE & THE BANSHEES ~ "THE RAPTURE";


This epic track is obviously in need of a video, here using a chapter from a 1923 British serial about the "Dr Fu Manchu" character. Note the ending of this chapter has been lost.

SIOUXSIE & THE BANSHEES ~ "TURN TO STONE";


This track off the 1986 album "Peep Show" uses another film by Segundo De Chomon

The Throwback Thursdays Retro Video Project Presents; Siouxsie & The Banshees (pt.1)

More from my Throwback Thursday Retro Video Project. This week; Siouxsie & The Banshees. I always though their music had a cinematic quality.



SIOUXSIE & THE BANSHEES ~ "CARCASS";


Happily this track off the first album about festishizing "dead pork" turned out to be perfect for this weird French film

SIOUXSIE & THE BANSHEES ~ "SUBURBAN RELAPSE";


Here's another song from the first album using an early French film from Pathe;

SIOUXSIE & THE BANSHEES ~ "RED OVER WHITE";


This song originally appeared as the flipside to the "Israel" 45. This second, more lush version, appeared on "The Thorn" ep. The video is a collection of fan dancers from the 1900's. Some of the footage are of Loie Fuller, an American who invented the style and became very popular, especially in France. The others are various imitators from France and America including American Chrissie Sheridan, filmed by Thomas Edison. This may be my favorite video.

SIOUXSIE & THE BANSHEES ~ "PLACEBO EFFECT";


Another song off "The Thorne" the original version of which on the second album, this one using a film by Segundo De Chomon

SIOUXSIE & THE BANSHEES ~ "OVERGROUND";


Another song off of "The Thorn" this time using a fairly obscure silent film "A Daring Crime".

SIOUXSIE & THE BANSHEES ~ "MELT";


A song off the 1982 "Kiss In The Dreamhouse" album using an abstract film by German experimental film-maker Walter Ruttman; "Opus 2" from 1921.

SIOUXSIE & THE BANSHEES ~ "GREEN FINGERS";


Another song off of "Kiss In The Dreamhouse" using a short art film, "Tails" from 1976, by Paul Sharits. This film spliced together the faded, underdeveloped ends of other films, hence the title. I used this same film for songs by Cabaret Voltaire and Simple Minds song but couldn't decide which version I liked better so I kept them all.

SIOUXSIE & THE BANSHEES ~ "CITIES IN DUST";


This video shows Berlin shot from the air in the 1920's, it's only a fragment but it suited the sunject matter so perfectly that I couldn't resist.

The Throwback Thursdays Retro Video Project Presents; Clock DVA

More from my Throwback Thursday Retro Video Project.
This week; Clock DVA. A Northern English band led by Adi Newton who combined a jazz-funk lineup with post-punk/industrial influences on their first three albums. After that the band broke up and Newton continued on as a purely techno band under the Clock DVA name. Guitarist John Valentine Carruthers would go on to join Siouxsie & The Banshees. They don't seem to have made any proper videos during their classic early phase so mine appear to be the only ones.

CLOCK DVA ~ "SENSORIUM";


A track off their 1981 second album "Thirst" (also their best) using a silent "Lone Ranger" cartoon which was filmed off of a television set. This one definitely has the feel of an early Cabaret Voltaire video.

CLOCK DVA ~ "BLUE TONE";


Another song off of "Thirst" using an early French film "History Of A Crime". The film itself obviously filmed on a stage backdrop and is interesting in using a second stage during the scene where the prisoner is shown sleeping to portray him dreaming of his past life. This was a technique used on stage but not in film once they figured out how to do flashbacks.

CLOCK DVA ~ "MOMENTS";


This song from "Thirst" uses a strange British sci-fi comedy "The Automatic Motorist" from 1911. The film's idea of space is basically that of George Melies films but unlike Melies this film uses multiple sets and allows for a car chase and would have made the Melies films of only a few years earlier seem old hat by comparison.

CLOCK DVA ~ "FOUR HOURS";


The closest thing early Clock DVA had to a single (from "Thirst), here mashed up with a George Melies film "Zeus' Thunderbolts".

CLOCK DVA ~ "PIANO PAIN";


Another track from "Thirst" using some very early BBC TV footage that was captured on an American TV where it was somehow beamed through freak atmospheric conditions. Since almost no TV recordings exist from that era it's interesting to see how similar it was to that of the 1950's Golden Age. Incidentally while most people assume that TV started in the 1950's it's not at all true as I've written about here.

CLOCK DVA ~ "NORTH LOOP";


This one uses Edison Studios newsreel footage of the San Francisco earthquake and fire.

CLOCK DVA ~ "DISCONTENTMENT";


This track off the obscure 1980 debut album "White Souls In Black Suits" which was put out by Industrial godfathers Throbbing Gristle on their Industrial label on cassette only. Yes I actually have one. The video uses newsreel footage of New York shot for the French Pathe company sometime in the mid 1930's. Note; I had some trouble with sound levels on this one.

CLOCK DVA ~ "STILL SILENT";


This track from "White Souls" uses another Op-Art Fluxus film, by John Cavanaugh.

CLOCK DVA ~ "THE CAGE"


This track comes from a set of early demos and uses a "In The Land Of Nod" a weird film which uses some early stop action animation.

CLOCK DVA ~ "SEXUAL OVERTURE";


Another early demo for which I used a WW1 British film "The German Spy Peril". Actually it's only part of the final reel in which the hero is captured by an oddly large group of spies and tossed into a tunnel under Big Ben with a bomb. The rest of the film is apparently lost.

CLOCK DVA ~ "UNTITLED DEMO TRACK 2";


This is another early demo and uses one from a series of amateur videos various people made as homages to the Andy Warhol "Screen Tests" of the 1960's

CLOCK DVA ~ "THE SONOLOGY OF SEX";


This song is from the b-side of the "Sound Mirror" single from 1990 put out by the latter, synth only version of Clock DVA. The song is about Elizabeth Bathory the infamous Bloody Countess of the sixteenth century so I used various still photos portrayals of the Countess including some of actresses who have played her on screen including Isabelle Hupert and Palmoa Picasso.

The Throwback Thursdays Retro Video Project Presents; Cabaret Voltaire

Lately my newest hobby is making music videos by taking old silent movies and adding music to them, usually from 1980's Post-Punk, New Wave and Proto-Industrial Bands whose music has a certain cinematic quality. I remember growing up in the 1980's early days of videos when a few such bands like Cabaret Voltaire, Throbbing Gristle, Severed Heads and Sturm Groups made such super low-budget videos using a mixture of "found footage", abstract art films, grainy super home movies and excerpts from various old movies and TV shows. And for a couple years such videos could actually get played on TV, at least on Much Music in Canada if not on American MTV.

So far I've made about a hundred including such old faves as Cabaret Voltaire, Simple Minds, Siouxsie & The Banshees, Clock DVA, Destroy All Monsters, Savage Republic, Killing Joke, Ultravox, Wire and The Silver Apples. I've already uploaded them on to Youtube so for the next while I can collect them in one place here. Starting with;
CABARET VOLTAIRE pt.1 (the early years);
One of the founders of Industrial Music, before it became techno-metal dance music, the Sheffield trio actually started recording their experiments in tape-collages, feedback, analog synths and distortion as early as 1974, although it took the post-punk fallout in 1978 to actually get around to releasing anything or doing actual gigs. They were not exactly welcomed by punk audiences of the time, at one gig the audience actually stormed the stage, assaulted the band and smashed their gear. However their noise experiments and theories about what they called "Industrial Music" became hugely influential, along with those of their even more outrageous (albeit less talented) compatriots Throbbing Gristle. Partly due to their aloof image and lack of any stage stage presence whatsoever the Cabs also pioneered the use of video presentations. The use of visual backdrops using film clips, slide shows, light shows and smoke machines was nothing new going back to the psychedelic era with bands like the Velvet Underground, Pink Floyd (Syd Barret era), Jefferson Airplane, the Grateful Dead and the Creation, but Cabaret Voltaire took these ad-hoc displays with their own moody electro drones into fully realized video art.
My videos attempt to invoke this era of video art using found footage;

"SPACE PATROL";


This piece is an early sound collage and the video uses another Flux Film op-art film made by Paul Sharits for a Dada film collective called Flux Films who made a series of such shorts in 1965-67.

"SAD SYNTH";


This track is a simple analog synth doodle using another Flux Film short.

"COUNTER REACTION 2";


Another early sound experiment, this time I used old newsreel footage of the aftermath of an explosion shot by Edison Studios.

"REVERSE PIECE ONE";


Yet another early sound experiment, this time I used old newsreel footage from the Graf Zeppelin, probably from 1929.

"STOLEN FROM SPECTRA";


This video uses another Edison Studios film, however this one is not a newsreel but is instead a recreation of the execution of the assassin of President William McKinley along with some shots of the actual prison.

"SYNTHIACS 2";


Another early synth noodle. This time I used an a short by the pioneering Spanish filmmaker Segundo De Chomon who was a contemporary of the more famous Frenchman George Melies upon whom Chomon built his own style.

"VOICE OF AMERICA";


A snippet from of a track from the second album using a George Melies film "Gold Fever".

NEXT TIME; CABARET VOLTAIRE pt.2