This is sad. Poly Styrene, one of the quirkiest and most beloved figures of the original 1976-78 London punk scene has died of cancer at 53.
As singer and lyricist for the legendary X Ray Spexs, Poly was a striking presence as much for the playful and insightful lyrics as for the uninhibited wailing yelp she sang them with. She also set a visual style of her own combining a trash punk aesthetic, with a Raggety Anne sensibility, and a love of the gaudiest dayglo colours imaginable. This gave her a look that was far removed from the angry goth bondage look sported by most of her contemporaries. Awkward and geeky and certainly not a conventional beauty with braces, and sometimes a little chubby she could also appeal to girls who might be a little intimidated by Siouxsie The Ice Queen, Debbie Harry and Annabella Lwin The Pinups or Gaye Advert, Joan Jett and Chrissie Hynde The Biker Chicks. Poly, whose real name was Marianne Joan Elliott-Said, was a mulatto of mixed Scots/English and Somali parents and she would so also become the first non-white figure in the punk scene.
X RAY SPEX ~ IDENTITY;
X Ray Spexs put out one classic single in "Oh Bondage Up Yours", and apeared on the "Live at the Roxy" album, before releasing the brilliant "Germ Free Adolescents". In their book about the early days of punk, "The Boy looked at Johnny", writers Tony Parsons and Julie Burchill called Poly the one true poetess of punk.
X RAY SPEX ~ THE WORLD DAYGLO;
Unfortunately in spite of being a positive role model for many, Poly was also a fragile figure who was began to crack under the pressure first firing her female sax player, Laura Logi. Then she began reporting seeing hallucinations which she claimed were alien UFOs who were communicating with her. She was hospitalized and misdiagnosed with schizophrenia then later as bi-polar. When released she later joined the Hare Krishnas. By then X Ray Spexs had obviously broken up. She would resurface in years to come and occasionally even record an ep or two. But was essentially in retirement until the legacy of X Ray Spexs was rediscovered and the band made a couple of reunion gigs in 2007 and 2008 minus guitarist Jak Airport who died of cancer in 2004. She announced her own solo album, produced by Youth from Killing Joke, to be released this year. Unfortunately she also announced in February that she had breast cancer which had spread to her spine. Actually I had a sort-of close encounter with Poly a few months back when I posted a response on Twitter to a statement made by Sammy Hagar in a vain attempt to appear interesting that he had made claiming to have seen a UFO. I pointed out that Poly had already done that years ago. Within a day or so she had added me on Twitter. That was pretty cool.
X RAY SPEX ~ GERM FREE ADOLESCENTS;
I am also going to take a moment to pay belated tribute to Mick Karn, (born Andonis Michaelides in Cyprus) bassist for early New Wave band Japan and later Dali's Car. Japan were actually contemporaries of the first wave of punks in the mid seventies with a look and sound like a European version of the New York Dolls that seemed dangerously out of step with the leather clad punk hordes but they kept slogging along and developing a more smooth Roxy Music meets Chic style that would become highly influential to the later New Romantics and Goths although Japan would always hold themselves aloof. As a bassist Karn, who was originally a bassoon player, developed a totally unique style involving extremely fluid runs on a fretless bass that was miles away from everyone else at the time, and since for that matter. He also played sax. Japan developed a rabid cult fan base and scored a few mid size hits before breaking up in 1982. After that Karn was briefly in an abortive project called Dali's Car with former Bauhaus singer Peter Murphy who recorded one album before also breaking up. Karn continued to do occasional solo work and there were announced plans to reform Dali's Car with in the summer of 2010 with Murphy when Karn suddenly announced that he also had cancer. He died in January of 2011 aged 52.
JAPAN ~ "LIFE IN TOKYO";
JAPAN ~ "CANTONESE BOY";
Tuesday, 26 April 2011
Sunday, 24 April 2011
The top 40 greatest rock and roll songs about radio
1. Mexican Radio ~ Wall of Voodoo
Who else could be number one really? An instantly memorable song, even if they never did anything else, and as far as most people are concerned they didn't, this would still earn them kudos. Also a great video BTW, clearly the reason videos were invented in the first place. To bad the only copy I could find is a second generation copy. Fucking copyright Nazis.
2. Border Radio ~ The Blasters
One of the all time great opening riffs courtesy of brother Dave Alvin, one of the great all time vocals courtesy of brother Phil. Great piano too. No real video though.
3. Transmission ~ Joy Division
Only Joy Division could make a depressing song about the radio, but nobody ever made depression sound so inviting either. Bernard Albrecht is a sadly underrated guitarist, especially by Bernard Albrecht. And Stephen Morris is a drum pounding bastard.
4. Do you remember rock and roll radio ~ The Ramones
They may have led the leather jacketed punk hordes but hey were old romantics at heart. That Phil Spector collaboration wasn't all that crazy after all, although he clearly was. Later covered by Kiss. But they suck.
5. This is Radio Clash ~ The Clash
The exact moment when they left three chord bashing punk behind. But not too far behind.
6. Top Twenty ~ The Undertones
Granted the relationship between this song and radio is actually pretty slight, title notwithstanding, but what the Hell.
7. Radio Free Europe ~ REM
The master of mumblings finest moment. No I don't know what he's on about any more than you do, but there's a good chance he doesn't either.
8. Rock and Roll ~ The Velvet Underground
Turns out that Lou Reed was another old softy after all. Who knew? Actually after Sunday Morning that should have been pretty obvious.
9. Road Runner ~ The Modern Lovers
Also an even greater driving song, for those who like to multitask.
10. The Spirit of Radio ~ Rush
I don't even like Rush, actually I actively dislike them, but you have to give credit where it's due. Their tribute to the old CFNY is refreshingly unpretentious and has their best guitar riff by far.
11. Moondog ~ The Treniers
Originally done as a tribute/suck up to legendary DJ Alan Freed done circa 1956 by the R&B Doo Wop twins. But he didn't care for the song so it got forgotten. So no video.
12. The Radio Boogie ~ L.C. Smith & His Southern Playboys
Another early track; this time a hillbilly boogie number from 1954 from this otherwise obscure guy. It's since been covered by various bluegrass and rockabilly bands giving it a second life.
13. Do you remember Rock and Roll Radio ~ The Ramones
The Boys take another shot at breaking onto the airwaves with a radio anthem. Cleaner production this time. Radio ignores them again. Hey they even made a video, what more did you people want?
14. Radio Radio ~ Elvis Costello
The Ramones might not have been able to bludgeon their way onto the air but Elvis somehow managed it.
15. The left of the dial ~ The Replacements
However the Replacements couldn't buy a hit and had to rely on campus/community radio stations in Canada and the USA which are normally found on the left hand side of the FM dial. This was their tribute.
16. Listen to the radio ~ Tom Robinson Band
Normally known for his radical gay anthem (which pretty much doomed him in America of course) but this is yet another romantic ballad to the radio. Later resulted in a hit cover version in Canada by The Pukka Orchestra.
17. The 59 Sound ~ The Gaslight Anthem
The New Jersey Boys do their tribute to radio and Springsteen.
18. Sound System ~ Operation Ivy
The California boys do their tribute to radio and ska/punk.
19. Capital Radio One ~ The Clash
"You know what guys? We'll never get on the radio like this". Not in America anyway.
20. Blacks/Radio ~ The Psychedelic Furs
Only on the original UK version of the first album as some twits at the record company thought that Americans would find it offensive. Which is a little odd since nobody can make out most of the lyrics anyway.
21. On my radio ~ The Selector
One of the most beloved and versatile and also the most unstable of the 1980's Ska bands. Taken from their one and only album. They later reformed and covered their own song for this video.
22. Radio waves ~ Orchestral Maneuvers in the dark
Taken from their experimental Dazzle Ships album, before they got really lush and poppy.
23. Blasting Radio ~ The Desperate Bicycles
Another hopelessly obscure track; this time from one of the early UK post punk bands who put out one album and disappeared without a trace. No video of course.
24. R.A.D.I.O. ~ The Candidates
A now defunct band from Kitchener Ontario with a rousing radio anthem. That was of course completely ignored, so no video.
25. Rue Morgue Radio ~ Creepshow
It's the most blatant example of product placement/sucking up since...umm...The Treniers (see number 11) but that doesn't mean it's not a catchy song.
26. Gasoline Radio ~ Real Gone
Another defunct independent band from Toronto with a radio anthem you will never hear.
27. Radio ~ ~ System of a down
It's really stoopid but it's catchy.
28. Who listens to the radio ~ The Sports
A post punk band from down under who showed up in 1978 sounding like Thin Lizzy or The Boomtown Rats, had a couple of near hits and then vanished, at least in this hemisphere.
29. Clap for The Wolfman ~ The Guess Who
Yet another tribute to radio's past, although when this was done in the 1970's it was still possible to not sound bitter about it (see below). Later redone by Winnipeg rockabillies The Rowdymen.
30. The Last DJ ~ Tom Petty
This time it's not a wistful tribute to radio like those of Lou Reed, Tom Robinson or the Blasters, but a bitter rant about a lost age innocence. Which frankly has been gone for a long time.
31. Love her by radio ~ Billy Jones
Dating back to 1927 for this first radio ballad, at least the first one anyone can remember. Jones was also a member of a radio vaudeville troupe called the Happiness Boys who had a bunch of hits at the time. No video though. Too bad.
32. Turn the radio on ~ Lulu Belle and Scotty
From the 1930's, an old time country duo who also did the original version of "I told lately that I love you". No video again.
33. Cool disk jockey ~ Boyd Bennett
A 1950's rockabilly best known for his hit "My boy flattop" does his radio tribute/ suck up. (See numbers 11, 12 and 33) With similar results. Did this sort of thing ever work? No video of course.
34. Don Williams ~ Listen to the radio
A gentle ballad to the radio by the laid back country crooner
35. Rockabilly on the radio ~ Jack Smith
Latter day tribute to a radio that no longer exists.
36. The Radio Stars ~ Radio Stars
A Britsh post punk group on Stiff Records sing a song about themselves. It doesn't become a hit. Too small of a target audience?
37. Radios in motion ~ XTC
One of the first and best loved of the British post punk bands follows up the roll they were on with their "This is pop" single.
38. Black stations white stations ~ Martha and the Muffins
In which the very white Canadians Martha and the Muffins get all funky and make a point about about segregation on radio at a time when MTV played almost no black music at all. Great video as well, wonder why MTV didn't like it.
39. Radio Ga Ga ~ Queen
The very idea of Queen mocking radio for being trivial is, well, trivial. But it it's at least not bombastic (by Queen standards) and even catchy. Bonus points for the video swiped from Fritz Lang.
40. Turn up the radio ~ Autograph
A radio anthem from a 1980's hair metal band? What could possibly go wrong. Actually it's better than it really needed to be.
Honorable mention;
The radio still sucks ~ The Ataris
Yes I know it's only 30 seconds long. I didn't even bother to look for video for this one.
Honorable mentions (instrumentals);
1. Radio 4 ~ Public Image Ltd.
2. Whatever happened to radio valve road ~ Martha and the Muffins
3. Time Zones ~ Orchestral Maneuvers in the Dark
Dishonorable mentions;
1. We built this city ~ Starship
Widely considered to be one of the worst songs EVER. And one of the worst videos as well so kudos Starship; you have clearly earned your mark in Rock and Roll history.
Who else could be number one really? An instantly memorable song, even if they never did anything else, and as far as most people are concerned they didn't, this would still earn them kudos. Also a great video BTW, clearly the reason videos were invented in the first place. To bad the only copy I could find is a second generation copy. Fucking copyright Nazis.
2. Border Radio ~ The Blasters
One of the all time great opening riffs courtesy of brother Dave Alvin, one of the great all time vocals courtesy of brother Phil. Great piano too. No real video though.
3. Transmission ~ Joy Division
Only Joy Division could make a depressing song about the radio, but nobody ever made depression sound so inviting either. Bernard Albrecht is a sadly underrated guitarist, especially by Bernard Albrecht. And Stephen Morris is a drum pounding bastard.
4. Do you remember rock and roll radio ~ The Ramones
They may have led the leather jacketed punk hordes but hey were old romantics at heart. That Phil Spector collaboration wasn't all that crazy after all, although he clearly was. Later covered by Kiss. But they suck.
5. This is Radio Clash ~ The Clash
The exact moment when they left three chord bashing punk behind. But not too far behind.
6. Top Twenty ~ The Undertones
Granted the relationship between this song and radio is actually pretty slight, title notwithstanding, but what the Hell.
7. Radio Free Europe ~ REM
The master of mumblings finest moment. No I don't know what he's on about any more than you do, but there's a good chance he doesn't either.
8. Rock and Roll ~ The Velvet Underground
Turns out that Lou Reed was another old softy after all. Who knew? Actually after Sunday Morning that should have been pretty obvious.
9. Road Runner ~ The Modern Lovers
Also an even greater driving song, for those who like to multitask.
10. The Spirit of Radio ~ Rush
I don't even like Rush, actually I actively dislike them, but you have to give credit where it's due. Their tribute to the old CFNY is refreshingly unpretentious and has their best guitar riff by far.
11. Moondog ~ The Treniers
Originally done as a tribute/suck up to legendary DJ Alan Freed done circa 1956 by the R&B Doo Wop twins. But he didn't care for the song so it got forgotten. So no video.
12. The Radio Boogie ~ L.C. Smith & His Southern Playboys
Another early track; this time a hillbilly boogie number from 1954 from this otherwise obscure guy. It's since been covered by various bluegrass and rockabilly bands giving it a second life.
13. Do you remember Rock and Roll Radio ~ The Ramones
The Boys take another shot at breaking onto the airwaves with a radio anthem. Cleaner production this time. Radio ignores them again. Hey they even made a video, what more did you people want?
14. Radio Radio ~ Elvis Costello
The Ramones might not have been able to bludgeon their way onto the air but Elvis somehow managed it.
15. The left of the dial ~ The Replacements
However the Replacements couldn't buy a hit and had to rely on campus/community radio stations in Canada and the USA which are normally found on the left hand side of the FM dial. This was their tribute.
16. Listen to the radio ~ Tom Robinson Band
Normally known for his radical gay anthem (which pretty much doomed him in America of course) but this is yet another romantic ballad to the radio. Later resulted in a hit cover version in Canada by The Pukka Orchestra.
17. The 59 Sound ~ The Gaslight Anthem
The New Jersey Boys do their tribute to radio and Springsteen.
18. Sound System ~ Operation Ivy
The California boys do their tribute to radio and ska/punk.
19. Capital Radio One ~ The Clash
"You know what guys? We'll never get on the radio like this". Not in America anyway.
20. Blacks/Radio ~ The Psychedelic Furs
Only on the original UK version of the first album as some twits at the record company thought that Americans would find it offensive. Which is a little odd since nobody can make out most of the lyrics anyway.
21. On my radio ~ The Selector
One of the most beloved and versatile and also the most unstable of the 1980's Ska bands. Taken from their one and only album. They later reformed and covered their own song for this video.
22. Radio waves ~ Orchestral Maneuvers in the dark
Taken from their experimental Dazzle Ships album, before they got really lush and poppy.
23. Blasting Radio ~ The Desperate Bicycles
Another hopelessly obscure track; this time from one of the early UK post punk bands who put out one album and disappeared without a trace. No video of course.
24. R.A.D.I.O. ~ The Candidates
A now defunct band from Kitchener Ontario with a rousing radio anthem. That was of course completely ignored, so no video.
25. Rue Morgue Radio ~ Creepshow
It's the most blatant example of product placement/sucking up since...umm...The Treniers (see number 11) but that doesn't mean it's not a catchy song.
26. Gasoline Radio ~ Real Gone
Another defunct independent band from Toronto with a radio anthem you will never hear.
27. Radio ~ ~ System of a down
It's really stoopid but it's catchy.
28. Who listens to the radio ~ The Sports
A post punk band from down under who showed up in 1978 sounding like Thin Lizzy or The Boomtown Rats, had a couple of near hits and then vanished, at least in this hemisphere.
29. Clap for The Wolfman ~ The Guess Who
Yet another tribute to radio's past, although when this was done in the 1970's it was still possible to not sound bitter about it (see below). Later redone by Winnipeg rockabillies The Rowdymen.
30. The Last DJ ~ Tom Petty
This time it's not a wistful tribute to radio like those of Lou Reed, Tom Robinson or the Blasters, but a bitter rant about a lost age innocence. Which frankly has been gone for a long time.
31. Love her by radio ~ Billy Jones
Dating back to 1927 for this first radio ballad, at least the first one anyone can remember. Jones was also a member of a radio vaudeville troupe called the Happiness Boys who had a bunch of hits at the time. No video though. Too bad.
32. Turn the radio on ~ Lulu Belle and Scotty
From the 1930's, an old time country duo who also did the original version of "I told lately that I love you". No video again.
33. Cool disk jockey ~ Boyd Bennett
A 1950's rockabilly best known for his hit "My boy flattop" does his radio tribute/ suck up. (See numbers 11, 12 and 33) With similar results. Did this sort of thing ever work? No video of course.
34. Don Williams ~ Listen to the radio
A gentle ballad to the radio by the laid back country crooner
35. Rockabilly on the radio ~ Jack Smith
Latter day tribute to a radio that no longer exists.
36. The Radio Stars ~ Radio Stars
A Britsh post punk group on Stiff Records sing a song about themselves. It doesn't become a hit. Too small of a target audience?
37. Radios in motion ~ XTC
One of the first and best loved of the British post punk bands follows up the roll they were on with their "This is pop" single.
38. Black stations white stations ~ Martha and the Muffins
In which the very white Canadians Martha and the Muffins get all funky and make a point about about segregation on radio at a time when MTV played almost no black music at all. Great video as well, wonder why MTV didn't like it.
39. Radio Ga Ga ~ Queen
The very idea of Queen mocking radio for being trivial is, well, trivial. But it it's at least not bombastic (by Queen standards) and even catchy. Bonus points for the video swiped from Fritz Lang.
40. Turn up the radio ~ Autograph
A radio anthem from a 1980's hair metal band? What could possibly go wrong. Actually it's better than it really needed to be.
Honorable mention;
The radio still sucks ~ The Ataris
Yes I know it's only 30 seconds long. I didn't even bother to look for video for this one.
Honorable mentions (instrumentals);
1. Radio 4 ~ Public Image Ltd.
2. Whatever happened to radio valve road ~ Martha and the Muffins
3. Time Zones ~ Orchestral Maneuvers in the Dark
Dishonorable mentions;
1. We built this city ~ Starship
Widely considered to be one of the worst songs EVER. And one of the worst videos as well so kudos Starship; you have clearly earned your mark in Rock and Roll history.
Wednesday, 13 April 2011
Some figures from the early years of Rock and Roll pass on
Bobby Robinson ~ 94 ~ Record producer and owner of the first black owned rock and roll labels Fire, Red Robin, Enjoy and Fury Records. Produced Elmore James, Big Boy Crudup, Gladys Knight, Buster Brown, Tarheel Slim, Lee Dorsey, The Shirelles unlike many figures from the early years of Rock and R & B such as Barry Gordy, Sam Phillips or the Chess Brothers Robinson kept touch with changing trends and later produced Kool Mo Dee and Grandmaster Flash.
Randy Wood ~ Founder of Dot Records; 1950's & 60's label for rock, pop, jazz and country artists like Roy Head, Jimmy Gilmer & The Fireballs, Tiny Hill & The Hilltoppers, Jimmy Rodgers, Louis Prima, Pat Boone, The Surfaris, The Chantays, Gary Usher, Mac Wiseman, Nervous Norvus, Roy Clark, Sanford Clark, Mac Curtis, Lonnie Donnegan, Jimmy Dorsey, Jack Kerouac, Count Basie, The Mills Bros, Robin Luke, The Four Lads ~94
Bobby Poe ~ 77 ~ A 1950's rockabilly singer who had a couple of minor hits like "Rock and Roll record girl" and an early version of "The Fool" which are much sought after by collectors. However he had a bigger impact when he discovered a talented black singer and pianist named Big Al Dowling to his band the Poe Kats making them one of the first bi-racial bands. Poe encouraged Dowling's obvious talents even sharing singing duties, a remarkably generous gesture for a band leader. Dowling would go on to a respected solo career with Stax Records. The Poe Kats would then go on to back up Wanda Jackson on some of her early singles. As tastes changed Poe would go on to a successful career as a music publisher and record label scout in Nashville.
Bobby Poe & The PoeCats (with Big Al Dowling) ~ :Rock and Roll record girl";
Jet Harris ~ 71 ~ Bassist with The Shadows. Easily the most important British group in the late 1950's and early 60's both as an instrumental group with numerous hit singles such as "Apache" and as backing band for the equally successful singer Cliff Richard. The Shadows have been cited as a major influence on literally every figure in British rock and roll from the Beatles and Stones to Dr.Feelgood and the Jam and their importance simply can not be over estimated. They would also be a major influence internationally on the surf and instrumental scene through such groups as The Ventures.
The Shadows ~ "Apache";
George Louvin ~ 83 ~ Along with his brother Ira, one half The Louvin Brothers, a popular country singing duo of the 1950's and early 60's. George was the shorter guitar playing one while Ira was taller mandolin playing tenor. One of such singing brother duos such as the Delmore Brothers, Stanley Brothers, Lilly Brothers, Whitstine Brothers and Bailey Brothers who provided a link between the older sounds of bluegrass and the newer more modern honky tonk and rockabilly and would reach it's peak with the Everly Brothers. The Louvins would score several hits into the the 60's ranging from secular and gospel and including the concept album "Satan is real" which is now a valuable collector's item. Changing tastes and the drinking problems of brother Ira and his combative personality led to The Louvin's breakup followed by Ira's death in a car crash in 1965. The quieter George kept a lower profile after that but would still occasionally record and appear at the Opry ell into his 70's.
The Louvin Brothers ~ "I don't believe you've met my baby";
Johnny Preston ~ 77 ~ A country and rockabilly singer who was discovered by J.P. Richardson (AKA The Big Bopper) who wrote and produced the song "Running Bear" which would become a massive hit in 1959, almost surpassing The Bopper's own hit "Chantilly Lace". The Bopper and his friend George Jones also provided the back up war whoops on the single. Unfortunately The Bopper then died in the same plane crash as Buddy Holly and Richie Valens and while Preston would go on to have more hits none would come close to the same success.
Johnny Preston ~ "Billy Boy";
Mack Self ~ 81 ~ 1950's rockabilly singer who recorded for Sun Records without scoring any real hits although is records would later become popular with rockabilly collectors and he had a career after the rockabilly revival in the 1970's. He also recorded a number of country records.
Ferlin Husky ~ 85 ~ A country singer from the 1960's who had a huge crossover hit in the mid 1950's with "The wings of a dove" a rousing gospel ballad with a catchy finger snapping chorus. Husky would score country hits into the 1960's but his rather older straight laced image, sporting conservative string ties and jackets with short hair and pencil mustache were dangerously out of step with the changing tastes of rock and roll and he retreated back to Nashville and the Opry where he continued to perform into his 70's.
Ferlin Husky ~ "The wings of a dove";
Billy Grammer ~ Honky Tonk singer who recorded the original versions of "Detroit City" (by Mel Tillis) and "Gotta travel on" which became a crossover hit in 1959, later covered by Buddy Holly, Boxcar Willie, Kingston Trio, Chet Atkins, Seekers, Skeets MacDonald, Jerry Lee Lewis and The Lennon Sisters among others. ~ 85
Billy Grammer ~ "Gotta travel on";
Jerry Mayo ~ Trumpet player for Freddie and the Bellboys, one of the earliest non rockabilly white rock groups from the 1950's. Had a hit with a version of "Hound dog" and "Giddy up a Ding Dong", appeared in Alan Freed tours and movies. Freddie Bell died in 2008 ~ 76
Freddie Bell and the Bellboys ~ "We're gonna teach you to rock";
Carl Gardner ~ Vocalist w/ The Coasters, the greatest of all R&B vocal groups between the Doo Wop and Motowm eras with hits like "Charlie Brown", "Yakkety Yak", "Poison Ivy", "Along came Jones", "Searchin'", "I'm a hog for you" later covered by the likes of The Hollies, Monkees, Dr. Feelgood, Deja Voodoo, The Sadies, Leon Russell, Bad Company, Beach Boys, Elvis Presley, Commander Cody, The Count Bishops and more ~ 83
The Coasters and Del Shannon ~ Searchin';
Gladys Horton ~ 65 ~ Lead singer with the Marvelettes, one of the early Motown girl groups who had a number of hits in the 1960's starting with "Please Mr. Postman" and following it up with a string of others including the much covered "I'll keep on holding on". Unfortunately for them while Horton was a better singer than Diana Ross she lacked Ross' sense of style, not to mention her all consuming ambition and when Motown boss Barry Gordy decided to focus all his efforts on promoting Ross and the Supremes the Marvelettes were pushed aside and faded away eventually breaking up.
The Marvelettes ~ "Don't mess with Bill";
Nicholas Ashford ~ R&B singer and songwiter with his wife Valerie Simpson for Motown in the 1960's to the 1980's with hits for Marvin Gaye and Tammi Terrell, The Supremes, Martha and the Vandellas, Smokey Robinson, Gladys Knight, Marvelettes, Fifth Dimension, Ray Charles, Aretha Franklin, Shirelles, Rufus, Chaka Kahn, Brothers Johnson, Teddy Pendergrass and even Ronnie Milsap as well as scoring hits as a singing duo ~ 70
Marvin Gaye and Tammi Terrell ~ "Ain't no mountain high enough";
Kathy Kirby ~ British 1960's pop singer and blonde sex symbol with hit version of "Secret Love" (real name Kathleen O'Rourke) ~ 72
Kathy Kirby ~ "Secret Love";
John Walker ~ Bassist and singer with 1960's melodramatic pop group The Walker Brothers, who were not actually brothers and none of whom, were actually named Walker. Originally from the Los Angeles rock scene, they moved to London and recorded a series of increasingly melodramatic singles the biggest of which was "The sun ain't gonna shine anymore". B that time John had been largely supplanted as lead singer by the deeper voiced crooner Scott Walker.
The Walker Brothers ~ "The sun ain't gonna shine anymore";
Jerry Ragovoy ~ 80 ~ R&B Songwriter under the name Norman Meade; "Time is on my side" (by the Rolling Stones), "Take another piece of my heart","Try (Just a Little Bit Harder)" and "Cry Baby" (all by Janis Joplin)
The Rolling Stones ~ "Time is on my side";
Hume Paton ~ Lead guitar for the underrated 1960's Scottish Mod group The Poets. No big hits but "That's the way it's gonna be" has turned up on many Nuggets comps and in the film "Factory Girl". Drummer Alan Weir died in 2010.
The Poets ~ "That's the way it's gonna be";
Mark Tulin ~ 62 ~ Bassist with the 1960's psychedelic garage band The Electric Prunes whose double shot 1967 hits "I had too much to dream last night" and "Get me to the world on time" became acknowledged classics of the era when they were included in the "Nuggets" collection and covered by Stiv Bators on his solo album. However the Prunes had trouble adjusting to changing tastes in rock like Folk Rock, Prog Rock, Southern Rock, Power Trios and their attempt at an early rock opera with a strange album of classical/rock fusion was a disaster. The band broke up thereafter but a generation later Tulin would get a second career when Prunes fan Billy Corrigan would invite him join a later version of The Smashing Pumpkins.
The Electric Prunes ~ "I Had too much to dream last night";
Robert Rozelle ~ Bassist with the Classic Los Angeles 1960's garage psychedelic garage band Love who had a few classic singles with "My little red book" and "7 and 7 is" and an album considered one of the all time greats in "Forever changes". Unfortunately the usual problems got in the way; drugs, conflicts, mental instability and the refusal of band leader Arthur Lee to tour led to the band's lost momentum and inevitable breakup.
Love ~ "My little red book";
Steve Serrato ~ 65 ~Drummer with Question mark and the Mysterions, the all Hispanic group from Michigan who's hit "96 Tears" became one of the instantly recognized classics of the era, later covered by The Music Machine and The Stranglers among many others.
Question Mark & The Mysterions ~ "96 Tears";
Rob Grill and Rick Coonce ~ Singer (Grill) and Drummer w/ 1960's garage band The Grass Roots who did the classic hit "Let's live for today". There were a few minor followups as well. Grill died in July at 67, Coonce died months earlier.
The Grass Roots ~ "Let's live for today";
Pinetop Perkins ~ Blues pianist and one of the last of the great Chicago bluesmen of the classic postwar era. Besides recording solo for Chess and Cobra Records he also played with the likes of Muddy Waters, Little Walter, Sonnyboy Williamson and BB King. He was still active at the time of his death and in fact in 2010 he became the oldest person to win a Grammy award.
Muddy Waters with Pinetop Perkins ~ Long distance phone call;
Eddie Kirkland ~ 88 ~ Blues and R & B guitarist who started out playing with Otis Redding and John Lee Hooker before going on a solo career and playing with Foghat which would not slow down until he died this year at the age of 88 on the road while on his way home from yet another gig. Known as the "Gypsy of the Blues" for his non stop touring.
Eddie Kirkland with Foghat;
Cato Walker ~ 61 ~ Saxophonist with Lou Rawls, The Bar-Kays and B.B. King. Later ran the record label, Strick 9.
Lloyd Knibb ~ Drummer with The Skatalites, widely noted as the founders of Jamaican Ska in the 1960's ~ 80
The Skatalites ~ "Ringo";
Don Kirshner ~ 75 ~ Although not a musician The Man With the Golden Ear was a Songwriter, Producer and promoter who wrote jingles for and with Bobby Darin, Neil Diamond and Connie Francis and Co-founded the Aldon music publishing company. In gthe 60's he branched out into television where he created The Monkees and after being fired in a dispute with his Frankenstein monster he then came up with the Archies. In the 70's he produced and hosted TV's, Don Kirshner's Rock Concert.
Huey P. Meaux ~ AKA "The Crazy Cajun", 1960's Louisiana record producer for Freddy Fender (Til the last teardrop falls"), The Sir Douglass Quintet (She's about a mover", Gene Summers ~ 82
David Honeyboy Edwards ~ Last of the old delta blues singers from the 1930's. Played with Robert Johnson, Howlin' Wolf, Son House, Tommy Johnson, Big Joe Williams, Willie Dixon, Buddy Guy, Otis Spann, Walter Shakey Horton, also recorded two albums with the original Peter Green version of Fleetwood Mac through the folk blues revival of the 1960's until this year. He was just in town last year in fact. ~ 96
Honeyboy Edwards ~ "Lay my burden down";
Charles Kaman ~ Inventor who founded Ovation Instruments that became the Ovation Guitar Company which introduced one of the first production solid body electric guitars. He later founded Kaman Aircraft Company ~ 92
DeLois Barrett Campbell ~ American gospel singer w/The Barrett Sisters starting in the 1930's but did not start recording until the 1960's. Did versions of Sam Cooke's "Wonderful", "I'll Fly Away" and sang with Roberta Martin on "I Hear God", later appeared in the documentary "Say Amen somebody ~ 85
The Barrett Sisters (w/Roberta Marin on piano) ~ "From out of nowhere";
Gene McDaniels ~ American 1960's R&B singer and songwriter w/hits "Tower of Strength", "A Hundred Pounds of Clay" by himself and "Feel Like Makin' Love" by Roberta Flack ~ 76
Jean Dinning ~ 86 ~ Singer with 1950's pop vocal group The Dinning Sisters, a typical Andrews Sisters type pre-rock and roll schmaltz group. Her biggest hit however would come when she co-wrote her younger brother Mark Dinning's, hit "Teen Angel" a classic example of early rock and roll schmaltz and a massive hit. The song's ultra morbid theme about a guy dragging his love from a fiery car wreck was one of a trend that would include the likes of "The leader of the pack" and "DOA" from Bloodrock..
Dinning Sisters ~ "Clancy";
Mark Dinning ~ "Teen Angel";
Carl Bunch ~ Drummer with Buddy Holly & The Cricketts and later for Hank Williams jr and Roy Orbison ~ 71
John Pickett ~ Singer with vocal group The Picks who sang backups with Buddy Holly on most of his hits like "Oh Boy" ~ 77
Terry Clements ~ Drummer w/ Gordon Lightfoot on many of his hits including "The wreck of the Edmund Fitzgerald" ~ 64
Loy Clingman ~ Arizona Rockabilly Singer later ran VIV Records ~ 88
Suze Rotolo ~ 67 ~ 1960's political activist and author, girlfriend of Bob Dylan, became famous as the cover model on "The Freewheelin' Bob Dylan" walking arm in arm with Dylan. Later became a writer
A few country music pickers from the 50's and earlier;
Buddy Charleton ~ Bassist and pedal steel player w/ Patsy Cline, Loretta Lynn ~ 82
Buddy Jones ~ Drummer w/Patsy Cline, Faron Young, Leon Young, Red Sovine ~ 83
Buster Magness ~ Steel guitar player w/ western swing band of Johnny Lee Wills ~ 87
Doc Williams ~ 1930's and 40's Old time country singer who scored hits in the 1940's with Chickie Williams, founder of Wheeling Records ~ 94
Hazel Dickens ~ 1960's folk and bluegrass singer/guitarist/bassist with Alice Gerrard (nee Foster). Recorded for Folkways Records as one of the first female duos. Union activist and IWW supporter who later appeared in pro-union films like "Harlan County USA" and "Matewan" ~ 75
Hazel Dickens ~ (bio pic);
A few Doo Wop singers;
Grady Chapman ~ 81 ~ Singer with 1950's Doo Wop group The Robins who would later evolve into The Coasters albeit without Chapman.
Carl Rainge ~ 74 ~ Singer with The Spaniels who's classic "Goodnight sweetheart goodnight" would later be used as a closing theme by Sha Na Na on their 1970's TV show.
The Spaniels ~ "Good night Sweetheart";
Bobby Phillips ~ Singer with Doo Wop group The Cadillacs who's classic hit was "Speedo"
The Cadillacs ~ "Speedo";
Monte Owens ~ Singer with Doo Wop groups The Mello Moods and The Solitaires
The Mello Moods ~ "Tonight tonight";
Oscar Lawson ~ Singer with Texas Chicano Doo Wop group The Royal Jesters, known for their smooth sound. Their hit "Lonely Guy" was later covered by Big Sandy on his Doo Wop album ~ 74
The Royal Jesters ~ "Love me";
A few jazzbos and avant garde figures from the 50's, 60's and earlier;
Bob Flanigan ~ American singer and bassist/trombonist with 1950's pre-rock pop and jazz vocal group The Four Freshmen with numerous hits like in the mid 1950's and highly influential on later white doo-wop groups like The Crewcuts, The Diamonds and the Four Seasons as well as Brian Wilson and the Beach Boys and the Byrds. Unlike most other vocal groups the Freshmen were also excellent musicians. ~ 84
Ross Barbour ~ Singer with The Four Freshmen ~ 82
The Four Freshmen ~ "Ain't seen nothing like you";
Margaret Whiting ~ Big Band jazz and pop singer from the 1940's and 50's both solo and with her sister Barbara with hits like "One for my baby", "Ain't we got fun", "It might as well be spring". As rock and roll took over she became co-host of a TV sitcom with her sister.
Margaret Whiting ~ "It's just the gypsy in my soul";
Joe Morello ~ Jazz drummer w/Dave Brubeck, Stan Kenton, Art Pepper, Hank Garland ~ 82
Allen Smith ~ Big Band jazz trumpet player w/The Hellcats Navy Band in World War 2, also later with Benny Goodman, Sammy Davis, Jr., Ella Fitzgerald, Frank Sinatra and Tony Bennett. ~ 85
Frank Foster ~ American jazz saxophonist and flautist with Count Basie ~ 82
Jiri Traxer ~ Czech/Canadian jazz pianist and composers from the 1930's on, considered one of the founders of jazz and swing in eastern Europe. Stayed in Czechoslovakia during the war but fled to the west in 1951 and moved to Canada. ~ 99
Jiri Traxler ~ Various piano pieces;
Sir George Shearing ~ The great blind British jazz pianist and band leader who had a number of hit albums in the UK and USA from the 1950's on. Ranging from solo work to quintets and as a duo, also recorded with Steffane Grapelli and Mel Torme. Retired in 2004 after a fall in his home, Knighted in 2007 ~ 91
Eric Delaney ~ British jazz drummer w/ Sir George Shearing ~ 87
Sir George Shearing ~ "Move";
Conrad Schnitzler ~ Keyboard player with highly influential German electronic pioneers Tangerine Dream starting in 1969. Later w/Kluster, Eruption, Berlin Express ~ 74
Tangerine Dream ~ "Cyclone";
Milton Babbit ~ 96 ~ While not normally thought of as a rock and roll figure Babbitt was trail blazer in the development of the Moog. Milton Babbit was a avant garde composer of piano and electronic works starting in the late 1940's. His piano works were considered so advanced and difficult that it would take over 40 years before they would be recognized and awarded. However it is his electronic work that would have the most impact as he was one of the designers of the original Moog Synthesizer and among the first to treat it as a serious instrument, composing works for it. At the time the Moog was a massive computer that took up an entire room and required a bewildering array of vacuum tubes, patch cords, tape reels and punch cards, but twenty years later the Moog would be discovered by progressive rock groups like Tangerine Dream, Pink Floyd, Yes and even the Monkees. Much later smaller and more compact and practical synths would evolve.
Milton Babbit ~ "Occasional variations";
Reinhold Marxhausen ~ American sound artist and sculpter inventor, teacher, author and painter from the 1960's on ~ 89
Reinhold Marxhausen ~ "Throne Dome" sound sculpture ;
Randy Wood ~ Founder of Dot Records; 1950's & 60's label for rock, pop, jazz and country artists like Roy Head, Jimmy Gilmer & The Fireballs, Tiny Hill & The Hilltoppers, Jimmy Rodgers, Louis Prima, Pat Boone, The Surfaris, The Chantays, Gary Usher, Mac Wiseman, Nervous Norvus, Roy Clark, Sanford Clark, Mac Curtis, Lonnie Donnegan, Jimmy Dorsey, Jack Kerouac, Count Basie, The Mills Bros, Robin Luke, The Four Lads ~94
Bobby Poe ~ 77 ~ A 1950's rockabilly singer who had a couple of minor hits like "Rock and Roll record girl" and an early version of "The Fool" which are much sought after by collectors. However he had a bigger impact when he discovered a talented black singer and pianist named Big Al Dowling to his band the Poe Kats making them one of the first bi-racial bands. Poe encouraged Dowling's obvious talents even sharing singing duties, a remarkably generous gesture for a band leader. Dowling would go on to a respected solo career with Stax Records. The Poe Kats would then go on to back up Wanda Jackson on some of her early singles. As tastes changed Poe would go on to a successful career as a music publisher and record label scout in Nashville.
Bobby Poe & The PoeCats (with Big Al Dowling) ~ :Rock and Roll record girl";
Jet Harris ~ 71 ~ Bassist with The Shadows. Easily the most important British group in the late 1950's and early 60's both as an instrumental group with numerous hit singles such as "Apache" and as backing band for the equally successful singer Cliff Richard. The Shadows have been cited as a major influence on literally every figure in British rock and roll from the Beatles and Stones to Dr.Feelgood and the Jam and their importance simply can not be over estimated. They would also be a major influence internationally on the surf and instrumental scene through such groups as The Ventures.
The Shadows ~ "Apache";
George Louvin ~ 83 ~ Along with his brother Ira, one half The Louvin Brothers, a popular country singing duo of the 1950's and early 60's. George was the shorter guitar playing one while Ira was taller mandolin playing tenor. One of such singing brother duos such as the Delmore Brothers, Stanley Brothers, Lilly Brothers, Whitstine Brothers and Bailey Brothers who provided a link between the older sounds of bluegrass and the newer more modern honky tonk and rockabilly and would reach it's peak with the Everly Brothers. The Louvins would score several hits into the the 60's ranging from secular and gospel and including the concept album "Satan is real" which is now a valuable collector's item. Changing tastes and the drinking problems of brother Ira and his combative personality led to The Louvin's breakup followed by Ira's death in a car crash in 1965. The quieter George kept a lower profile after that but would still occasionally record and appear at the Opry ell into his 70's.
The Louvin Brothers ~ "I don't believe you've met my baby";
Johnny Preston ~ 77 ~ A country and rockabilly singer who was discovered by J.P. Richardson (AKA The Big Bopper) who wrote and produced the song "Running Bear" which would become a massive hit in 1959, almost surpassing The Bopper's own hit "Chantilly Lace". The Bopper and his friend George Jones also provided the back up war whoops on the single. Unfortunately The Bopper then died in the same plane crash as Buddy Holly and Richie Valens and while Preston would go on to have more hits none would come close to the same success.
Johnny Preston ~ "Billy Boy";
Mack Self ~ 81 ~ 1950's rockabilly singer who recorded for Sun Records without scoring any real hits although is records would later become popular with rockabilly collectors and he had a career after the rockabilly revival in the 1970's. He also recorded a number of country records.
Ferlin Husky ~ 85 ~ A country singer from the 1960's who had a huge crossover hit in the mid 1950's with "The wings of a dove" a rousing gospel ballad with a catchy finger snapping chorus. Husky would score country hits into the 1960's but his rather older straight laced image, sporting conservative string ties and jackets with short hair and pencil mustache were dangerously out of step with the changing tastes of rock and roll and he retreated back to Nashville and the Opry where he continued to perform into his 70's.
Ferlin Husky ~ "The wings of a dove";
Billy Grammer ~ Honky Tonk singer who recorded the original versions of "Detroit City" (by Mel Tillis) and "Gotta travel on" which became a crossover hit in 1959, later covered by Buddy Holly, Boxcar Willie, Kingston Trio, Chet Atkins, Seekers, Skeets MacDonald, Jerry Lee Lewis and The Lennon Sisters among others. ~ 85
Billy Grammer ~ "Gotta travel on";
Jerry Mayo ~ Trumpet player for Freddie and the Bellboys, one of the earliest non rockabilly white rock groups from the 1950's. Had a hit with a version of "Hound dog" and "Giddy up a Ding Dong", appeared in Alan Freed tours and movies. Freddie Bell died in 2008 ~ 76
Freddie Bell and the Bellboys ~ "We're gonna teach you to rock";
Carl Gardner ~ Vocalist w/ The Coasters, the greatest of all R&B vocal groups between the Doo Wop and Motowm eras with hits like "Charlie Brown", "Yakkety Yak", "Poison Ivy", "Along came Jones", "Searchin'", "I'm a hog for you" later covered by the likes of The Hollies, Monkees, Dr. Feelgood, Deja Voodoo, The Sadies, Leon Russell, Bad Company, Beach Boys, Elvis Presley, Commander Cody, The Count Bishops and more ~ 83
The Coasters and Del Shannon ~ Searchin';
Gladys Horton ~ 65 ~ Lead singer with the Marvelettes, one of the early Motown girl groups who had a number of hits in the 1960's starting with "Please Mr. Postman" and following it up with a string of others including the much covered "I'll keep on holding on". Unfortunately for them while Horton was a better singer than Diana Ross she lacked Ross' sense of style, not to mention her all consuming ambition and when Motown boss Barry Gordy decided to focus all his efforts on promoting Ross and the Supremes the Marvelettes were pushed aside and faded away eventually breaking up.
The Marvelettes ~ "Don't mess with Bill";
Nicholas Ashford ~ R&B singer and songwiter with his wife Valerie Simpson for Motown in the 1960's to the 1980's with hits for Marvin Gaye and Tammi Terrell, The Supremes, Martha and the Vandellas, Smokey Robinson, Gladys Knight, Marvelettes, Fifth Dimension, Ray Charles, Aretha Franklin, Shirelles, Rufus, Chaka Kahn, Brothers Johnson, Teddy Pendergrass and even Ronnie Milsap as well as scoring hits as a singing duo ~ 70
Marvin Gaye and Tammi Terrell ~ "Ain't no mountain high enough";
Kathy Kirby ~ British 1960's pop singer and blonde sex symbol with hit version of "Secret Love" (real name Kathleen O'Rourke) ~ 72
Kathy Kirby ~ "Secret Love";
John Walker ~ Bassist and singer with 1960's melodramatic pop group The Walker Brothers, who were not actually brothers and none of whom, were actually named Walker. Originally from the Los Angeles rock scene, they moved to London and recorded a series of increasingly melodramatic singles the biggest of which was "The sun ain't gonna shine anymore". B that time John had been largely supplanted as lead singer by the deeper voiced crooner Scott Walker.
The Walker Brothers ~ "The sun ain't gonna shine anymore";
Jerry Ragovoy ~ 80 ~ R&B Songwriter under the name Norman Meade; "Time is on my side" (by the Rolling Stones), "Take another piece of my heart","Try (Just a Little Bit Harder)" and "Cry Baby" (all by Janis Joplin)
The Rolling Stones ~ "Time is on my side";
Hume Paton ~ Lead guitar for the underrated 1960's Scottish Mod group The Poets. No big hits but "That's the way it's gonna be" has turned up on many Nuggets comps and in the film "Factory Girl". Drummer Alan Weir died in 2010.
The Poets ~ "That's the way it's gonna be";
Mark Tulin ~ 62 ~ Bassist with the 1960's psychedelic garage band The Electric Prunes whose double shot 1967 hits "I had too much to dream last night" and "Get me to the world on time" became acknowledged classics of the era when they were included in the "Nuggets" collection and covered by Stiv Bators on his solo album. However the Prunes had trouble adjusting to changing tastes in rock like Folk Rock, Prog Rock, Southern Rock, Power Trios and their attempt at an early rock opera with a strange album of classical/rock fusion was a disaster. The band broke up thereafter but a generation later Tulin would get a second career when Prunes fan Billy Corrigan would invite him join a later version of The Smashing Pumpkins.
The Electric Prunes ~ "I Had too much to dream last night";
Robert Rozelle ~ Bassist with the Classic Los Angeles 1960's garage psychedelic garage band Love who had a few classic singles with "My little red book" and "7 and 7 is" and an album considered one of the all time greats in "Forever changes". Unfortunately the usual problems got in the way; drugs, conflicts, mental instability and the refusal of band leader Arthur Lee to tour led to the band's lost momentum and inevitable breakup.
Love ~ "My little red book";
Steve Serrato ~ 65 ~Drummer with Question mark and the Mysterions, the all Hispanic group from Michigan who's hit "96 Tears" became one of the instantly recognized classics of the era, later covered by The Music Machine and The Stranglers among many others.
Question Mark & The Mysterions ~ "96 Tears";
Rob Grill and Rick Coonce ~ Singer (Grill) and Drummer w/ 1960's garage band The Grass Roots who did the classic hit "Let's live for today". There were a few minor followups as well. Grill died in July at 67, Coonce died months earlier.
The Grass Roots ~ "Let's live for today";
Pinetop Perkins ~ Blues pianist and one of the last of the great Chicago bluesmen of the classic postwar era. Besides recording solo for Chess and Cobra Records he also played with the likes of Muddy Waters, Little Walter, Sonnyboy Williamson and BB King. He was still active at the time of his death and in fact in 2010 he became the oldest person to win a Grammy award.
Muddy Waters with Pinetop Perkins ~ Long distance phone call;
Eddie Kirkland ~ 88 ~ Blues and R & B guitarist who started out playing with Otis Redding and John Lee Hooker before going on a solo career and playing with Foghat which would not slow down until he died this year at the age of 88 on the road while on his way home from yet another gig. Known as the "Gypsy of the Blues" for his non stop touring.
Eddie Kirkland with Foghat;
Cato Walker ~ 61 ~ Saxophonist with Lou Rawls, The Bar-Kays and B.B. King. Later ran the record label, Strick 9.
Lloyd Knibb ~ Drummer with The Skatalites, widely noted as the founders of Jamaican Ska in the 1960's ~ 80
The Skatalites ~ "Ringo";
Don Kirshner ~ 75 ~ Although not a musician The Man With the Golden Ear was a Songwriter, Producer and promoter who wrote jingles for and with Bobby Darin, Neil Diamond and Connie Francis and Co-founded the Aldon music publishing company. In gthe 60's he branched out into television where he created The Monkees and after being fired in a dispute with his Frankenstein monster he then came up with the Archies. In the 70's he produced and hosted TV's, Don Kirshner's Rock Concert.
Huey P. Meaux ~ AKA "The Crazy Cajun", 1960's Louisiana record producer for Freddy Fender (Til the last teardrop falls"), The Sir Douglass Quintet (She's about a mover", Gene Summers ~ 82
David Honeyboy Edwards ~ Last of the old delta blues singers from the 1930's. Played with Robert Johnson, Howlin' Wolf, Son House, Tommy Johnson, Big Joe Williams, Willie Dixon, Buddy Guy, Otis Spann, Walter Shakey Horton, also recorded two albums with the original Peter Green version of Fleetwood Mac through the folk blues revival of the 1960's until this year. He was just in town last year in fact. ~ 96
Honeyboy Edwards ~ "Lay my burden down";
Charles Kaman ~ Inventor who founded Ovation Instruments that became the Ovation Guitar Company which introduced one of the first production solid body electric guitars. He later founded Kaman Aircraft Company ~ 92
DeLois Barrett Campbell ~ American gospel singer w/The Barrett Sisters starting in the 1930's but did not start recording until the 1960's. Did versions of Sam Cooke's "Wonderful", "I'll Fly Away" and sang with Roberta Martin on "I Hear God", later appeared in the documentary "Say Amen somebody ~ 85
The Barrett Sisters (w/Roberta Marin on piano) ~ "From out of nowhere";
Gene McDaniels ~ American 1960's R&B singer and songwriter w/hits "Tower of Strength", "A Hundred Pounds of Clay" by himself and "Feel Like Makin' Love" by Roberta Flack ~ 76
Jean Dinning ~ 86 ~ Singer with 1950's pop vocal group The Dinning Sisters, a typical Andrews Sisters type pre-rock and roll schmaltz group. Her biggest hit however would come when she co-wrote her younger brother Mark Dinning's, hit "Teen Angel" a classic example of early rock and roll schmaltz and a massive hit. The song's ultra morbid theme about a guy dragging his love from a fiery car wreck was one of a trend that would include the likes of "The leader of the pack" and "DOA" from Bloodrock..
Dinning Sisters ~ "Clancy";
Mark Dinning ~ "Teen Angel";
Carl Bunch ~ Drummer with Buddy Holly & The Cricketts and later for Hank Williams jr and Roy Orbison ~ 71
John Pickett ~ Singer with vocal group The Picks who sang backups with Buddy Holly on most of his hits like "Oh Boy" ~ 77
Terry Clements ~ Drummer w/ Gordon Lightfoot on many of his hits including "The wreck of the Edmund Fitzgerald" ~ 64
Loy Clingman ~ Arizona Rockabilly Singer later ran VIV Records ~ 88
Suze Rotolo ~ 67 ~ 1960's political activist and author, girlfriend of Bob Dylan, became famous as the cover model on "The Freewheelin' Bob Dylan" walking arm in arm with Dylan. Later became a writer
A few country music pickers from the 50's and earlier;
Buddy Charleton ~ Bassist and pedal steel player w/ Patsy Cline, Loretta Lynn ~ 82
Buddy Jones ~ Drummer w/Patsy Cline, Faron Young, Leon Young, Red Sovine ~ 83
Buster Magness ~ Steel guitar player w/ western swing band of Johnny Lee Wills ~ 87
Doc Williams ~ 1930's and 40's Old time country singer who scored hits in the 1940's with Chickie Williams, founder of Wheeling Records ~ 94
Hazel Dickens ~ 1960's folk and bluegrass singer/guitarist/bassist with Alice Gerrard (nee Foster). Recorded for Folkways Records as one of the first female duos. Union activist and IWW supporter who later appeared in pro-union films like "Harlan County USA" and "Matewan" ~ 75
Hazel Dickens ~ (bio pic);
A few Doo Wop singers;
Grady Chapman ~ 81 ~ Singer with 1950's Doo Wop group The Robins who would later evolve into The Coasters albeit without Chapman.
Carl Rainge ~ 74 ~ Singer with The Spaniels who's classic "Goodnight sweetheart goodnight" would later be used as a closing theme by Sha Na Na on their 1970's TV show.
The Spaniels ~ "Good night Sweetheart";
Bobby Phillips ~ Singer with Doo Wop group The Cadillacs who's classic hit was "Speedo"
The Cadillacs ~ "Speedo";
Monte Owens ~ Singer with Doo Wop groups The Mello Moods and The Solitaires
The Mello Moods ~ "Tonight tonight";
Oscar Lawson ~ Singer with Texas Chicano Doo Wop group The Royal Jesters, known for their smooth sound. Their hit "Lonely Guy" was later covered by Big Sandy on his Doo Wop album ~ 74
The Royal Jesters ~ "Love me";
A few jazzbos and avant garde figures from the 50's, 60's and earlier;
Bob Flanigan ~ American singer and bassist/trombonist with 1950's pre-rock pop and jazz vocal group The Four Freshmen with numerous hits like in the mid 1950's and highly influential on later white doo-wop groups like The Crewcuts, The Diamonds and the Four Seasons as well as Brian Wilson and the Beach Boys and the Byrds. Unlike most other vocal groups the Freshmen were also excellent musicians. ~ 84
Ross Barbour ~ Singer with The Four Freshmen ~ 82
The Four Freshmen ~ "Ain't seen nothing like you";
Margaret Whiting ~ Big Band jazz and pop singer from the 1940's and 50's both solo and with her sister Barbara with hits like "One for my baby", "Ain't we got fun", "It might as well be spring". As rock and roll took over she became co-host of a TV sitcom with her sister.
Margaret Whiting ~ "It's just the gypsy in my soul";
Joe Morello ~ Jazz drummer w/Dave Brubeck, Stan Kenton, Art Pepper, Hank Garland ~ 82
Allen Smith ~ Big Band jazz trumpet player w/The Hellcats Navy Band in World War 2, also later with Benny Goodman, Sammy Davis, Jr., Ella Fitzgerald, Frank Sinatra and Tony Bennett. ~ 85
Frank Foster ~ American jazz saxophonist and flautist with Count Basie ~ 82
Jiri Traxer ~ Czech/Canadian jazz pianist and composers from the 1930's on, considered one of the founders of jazz and swing in eastern Europe. Stayed in Czechoslovakia during the war but fled to the west in 1951 and moved to Canada. ~ 99
Jiri Traxler ~ Various piano pieces;
Sir George Shearing ~ The great blind British jazz pianist and band leader who had a number of hit albums in the UK and USA from the 1950's on. Ranging from solo work to quintets and as a duo, also recorded with Steffane Grapelli and Mel Torme. Retired in 2004 after a fall in his home, Knighted in 2007 ~ 91
Eric Delaney ~ British jazz drummer w/ Sir George Shearing ~ 87
Sir George Shearing ~ "Move";
Conrad Schnitzler ~ Keyboard player with highly influential German electronic pioneers Tangerine Dream starting in 1969. Later w/Kluster, Eruption, Berlin Express ~ 74
Tangerine Dream ~ "Cyclone";
Milton Babbit ~ 96 ~ While not normally thought of as a rock and roll figure Babbitt was trail blazer in the development of the Moog. Milton Babbit was a avant garde composer of piano and electronic works starting in the late 1940's. His piano works were considered so advanced and difficult that it would take over 40 years before they would be recognized and awarded. However it is his electronic work that would have the most impact as he was one of the designers of the original Moog Synthesizer and among the first to treat it as a serious instrument, composing works for it. At the time the Moog was a massive computer that took up an entire room and required a bewildering array of vacuum tubes, patch cords, tape reels and punch cards, but twenty years later the Moog would be discovered by progressive rock groups like Tangerine Dream, Pink Floyd, Yes and even the Monkees. Much later smaller and more compact and practical synths would evolve.
Milton Babbit ~ "Occasional variations";
Reinhold Marxhausen ~ American sound artist and sculpter inventor, teacher, author and painter from the 1960's on ~ 89
Reinhold Marxhausen ~ "Throne Dome" sound sculpture ;
Tuesday, 5 April 2011
Professor Kitzel's Time Machine Profile; Ma Rainey
~Ma Rainey 1886~1939 was not the first black woman to record the blues (Mamie Smith did that in 1920) but Ma Rainey was the first big star. By the time Mamie Smith recorded "Crazy Blues" Ma Rainey was already the best known blues singer by far. She would remain a major figure for the rest of the era discovering and becoming an inspiration for future generations af blues, jazz and soul singers from Bessie Smith to Janis Joplin. ..
MA RAINEY ~ "PROVE IT ON ME BLUES"
~Early Years~
Born Gertrude Pridgett in 1886 (according to her) or 1882 (according to a census report) in either Alabama or Georgia into a family of minstrel show performers, she was already onstage herself by at least age 14 according to surviving records. Pridgett joined the Rabbit Foot Minstrels, a popular traveling minstrel troop in the 1890's marrying William "Pa" Rainey an older song and dance comedian in 1904, they thereafter billed themselves as Ma and Pa Rainey. According to Ma she heard a young black girl singing a blues type song in 1904 inspiring her to adopt the style which she claimed she also named "The Blues" however every other source disputes this (including W.C. Handy, Jellyroll Morton, Bunk Johnson, Gus Cannon and Leadbelly) saying the blues had existed since the 1880's. At this point the Raineys began billing themselves as "The Assassinaters of the Blues" and touring heavily especially throughout the south. The Raineys became one of the most popular acts of the era. Ma was a flamboyant, larger than life character; a large woman with multiple chins and gold teeth she developed costumes with flowing gowns, feathered tiaras, boas, huge glittering rings, ropes of pearls, dangling earnings, bejeweled fans and long necklaces made from gold pieces. She entered the stage from inside a giant prop gramophone horn scarlet drapes, gold ropes, leopard skin furniture and fake tropical plants. Pa Rainey acted as emcee, telling jokes, singing a few nonsense songs, doing a few dance steps as well as his specialty, placing large objects in his mouth. Obviously the main attraction was Ma with sang with a powerful voice did dance steps and told ribald jokes. There was also a chorus line one of whom was the young Bessie Smith who Ma discovered in 1912 and trained as a singer and performer until Bessie went solo around 1915. ..
MA RAINEY ~"OH BLUES OH BLUES";
~Recordings~ ..
After Mamie Smith's highly successful 1920 recordings record companies started looking for more blues women to record but in spite of her fame Ma did not actually record until 1923 when she signed with Paramount Records. Her records were an immediate success and of a high quality using a wide variety of bands from top-notch New Orleans style Hot Jazz bands to Memphis style Jug Bands to duets with blues singer Papa Charlie Jackson. Her records were rife with double and sometimes triple entendres and frequent references to her bi-sexuality as well as infidelity, boozing and jail. However unlike some other blues women her songs were mostly upbeat and shamelessly defiant rather than mournful. She continued to record and tour successfully throughout the 1920's but the coming of the great depression and changing tastes brought an end to her recordings after 1929. She continued to perform until 1935 when she retired to Columbus, Georgia. Unlike most of her fellow blues and jazz artists Ma was a good business-woman who made and saved enough money to buy her own home and invest in two theaters in Columbus. She devoted the rest of her time to the baptist church until she died of a heart attack in 1939. ..
MA RAINEY ~ "SEE SEE RIDER";
~Legacy~ ..
Ma Rainey's influence is deep and wide, covering virtually every female blues, jazz, gospel, soul and rock and roll singer from the 1920's to the 1970's starting obviously with Bessie Smith down through Billie Holliday to Mahalia Jackson to Dinah Washington to Aretha Franklin to Janis Joplin to Queen Latifa. Her sense of style is still the archetype for the blues or soul woman. Her records have been reissued on cd and her old records are highly collectable. A play "Ma Rainey's Black Bottom" loosely based on her was written in 1982 by August Wilson. Ma Rainey was inducted into the Blues Hall of Fame in 1983 and the Rock and Roll Hall of Fame in 1990 and honored with a U.S. postage stamp in 1994. Another younger and unrelated singer billed herself as Memphis Ma Rainey in the 1950's and Ma's grand-daughter Rosemary is also a singer who sings in Ma's style.
MA RAINEY ~ "DEEP MOANING BLUES";
Members;
Ma Rainey~vocals w/ various members including; Louis Armstrong ~ trumpet, Kid Ory ~ trombone, Coleman Hawkins ~ sax, Tampa Red~guitar, Georgia Tom Dorsey ~ piano, Fletcher Henderson ~ piano, Tiny Parham ~ piano, Jimmy Blythe ~ piano, Doc Cheatham ~ sax, Papa Charlie Jackson ~ banjo
MA RAINEY ~ "MA RAINEY'S BLACK BOTTOM"
Saturday, 26 March 2011
Erzra Levant tries to save CKLN? WTF?
Most of the predictable hand-wringing, teeth-gnashing, and nut job conspiracy theory rants that followed the loss of CKLN's license were from the usual suspects. The far wack-job left and the NDP activists who enable them. With the usual accusations of racism, "corporate agendas", fascism, white supremacy, sexism, homophobia, censorship and the various other foul deeds our ruling masters have in store for "the voiceless". Ho Hum.
And then there's Ezra Levant. For those who don't know he is the resident Glen Beck wannabe over at Canada's very own Fox News wannabe, the Sun News Network. There he is every damn day with that supercilious smirk and his snide "aren't I outrageous and clever" blanket attacks on Liberals, Unions, Muslims, the media "chattering class" (which he totally isn't a part of really), "elitists" (ditto), "social engineering" (double ditto), Greens, artists, teachers, feminists, the Europeans and basically anybody who doesn't think that Ayn Rand was a brilliant philosopher rather than a spoiled narcissistic hag with verbal diarrhea and an ego only slightly more ludicrously inflated than Ezra Levant's.
Actually you not recall that he once had delusions of getting Harper's job back when Harper was just getting settled in as Tory leader. Levant announced his intention of running as a candidate for the very riding that Harper himself wanted. So Harper told him to get lost, then Levant, with a laughably deluded sense of his own power actually refused, publicly daring the new leader of his own party to take him on. Later after having a temporary moment of clarity Levant grudgingly stepped aside "for the good of the party". Needless to say Harper was rather unamused and Levant's political career was even shorter than Harper's temper.
So our hero went back to being a carnival barker looking for a soapbox, oh and a lobbyist for the oil and tobacco industries, until he got a home at Fox North which went on the air on this April. He used his first show to attack the CRTC which had offended Fox North (and South for that matter) by not giving them the preferential treatment to which they are entitled, although he didn't mention that part of course. Preferring to instead rally support from the left for attack on the CRTC by coming to the defense of the recently shut down CKLN.
His full rant is below;
////////////////////////////////////////////////////////////////////////////// http://www.torontosun.com/2011/04/19/crtcs-a-dinosaur-2
CRTC's a dinosaur
The last thing Canadians need is this group regulating the web
By Ezra Levant ,QMI Agency
First posted: Tuesday, April 19, 2011 10:15:01 EDT AM
A group of Canadian TV companies has banded together to ask the CRTC to regulate the Internet, and crack down on a U.S. based website called Netflix.
They're worried that, if left to themselves, Canadians will start getting their favourite movies and TV shows from Netflix over their computer, or even their cellphone, instead of from cable TV. And they want the government to stop that threat.
So it would be like the candle-making tycoons of the 19th century writing a letter to John A. Macdonald asking him to shut down that troublesome Thomas Edison fellow, and his dangerous electric light.
There's something pitiful here, almost sad. Instead of trying to compete with Netflix, Canadian big businesses are trying to rig the rules, forcing Netflix to submit to all of the red tape, taxes and government meddling they have to obey.
Regulating the Internet is an audacious proposal. The CRTC would have to build something like the Chinese dictatorship has done — the Great Firewall of China — to censor content the CRTC doesn't approve of.
Could you imagine if they were successful? How many bureaucrats would be needed to monitor the Internet, full time? They'd even need to get into your Facebook page, and your e-mails, to make sure you weren’t getting your videoclips from an illegal source.
Who is this CRTC? It stands for the Canadian Radio-television and Telecommunications Commission. So it's about as fresh and current as the vacuum tube. They're a government agency created decades ago, back when people didn't know any better about letting the government control TV and radio.
Today, the CRTC's chief reason to exist is to perpetuate itself — to keep expanding its bureaucratic empire. It's called mission creep. If it was a private company, it would have gone out of business around the time Betamax did. When was the last time a government bureaucracy stopped, just because it became useless?
Pulled the plug
The CRTC is worse than useless, though. It’s dangerous to freedom. Take this shocking example from just last week.
The CRTC ordered a little community radio station in Toronto, called CKLN, off the airways last Friday. They just issued the command — and CKLN went silent, after 28 years of serving the community.
Why? According to the CRTC, there was “infighting” in the business. So what? What organization doesn’t have infighting? The CRTC does.
The CRTC says CKLN radio didn’t have enough musical diversity. That’s absurd — it was the first hip-hop radio station in Canada, that launched rap careers like Maestro Fresh Wes, a pioneering Canadian musician. So a radio station that featured black music and gay dance music was shut down for being too straight and narrow by a bunch of old white guys in Ottawa.
Maybe they’ll tell country music stations to have more opera for diversity, too.
But the real beef the CRTC had with CKLN radio was the little station didn’t fill out all of its paperwork properly. CKLN radio is a community station, run by volunteers on a shoestring budget. It’s affiliated with Ryerson University — many of the people running it are just students. But because they couldn’t keep up with the avalanche of paperwork and forms sent over by the CRTC, they’re put out of business.
This is the bright future the CRTC would bring to regulating the Internet.
//////////////////////////////////////////////////////////////////////////////
As might be expected Fat Bastard Lehrer and the CKLN "community" wasted no time in embracing one of their right wing bogeymen and pasted links to this rant everywhere that would allow then, including a place of honour on the CKLN Wikipedia entry; Fat Bastard boasts that he has enough Wikipedia clout to shut down anything or anyone he doesn't like and a glance at the history of the Wikipedia article does seem to show that "someone" quickly deletes any attempt to make the article more balanced.
Setting aside the complete cynicism of Levant using these far left wackjobs to further his own (and his employer's) agenda of destroying the CRTC, you can certainly why Fat Bastard would feel right at home with Levant at Fox North. They both have the same total disregard for allowing a little thing like "facts" to get in the way of ideological propaganda.
Firstly CKLN was not shut down for being "too black or gay", nor for "not having enough diversity", nor for "not filling a little paperwork", nor is CKLN run "mostly by students". That hasn't been true since Adam Vaughn, David Barnard and Denise Benson took over in the early 1980's and edged out most of the students in favour of political activists and professional DJ's. CKLN was shut down for massive and ongoing incompetence and complete disregard for basic rules of compliance as the CRTC's ruling (which he did not quote from) shows.
Also he uses the usual lame "thin edge of the wedge argument" to suggest that the CRTC is looking to hack into your "facebook page and read your emails" which besides being bullshit neglects to mention that the govt. and courts can easily get a warrant to do that anyway and law and order right wingers never have any problems with that. Also I notice he has no problems with the fact that Harper is already monitoring our facebook pages anyway looking for people to ban from his rallies.
On a historical note I see he uses this Thomas Edison analogy about candle makers using the CRTC to ban light bulbs. Well Thomas Edison himself actually used lawyers and patent law to shut down competitors who had better versions of many of his "inventions".
Actually many of Edison's most famous inventions weren't even his. He bought most of his patents from others including the light bulb itself, the patent for which he bought from two Canadian inventors in 1879 when they were unable to raise enough capital to compete. That's right two Canadians, Henry Woodward and Mathew Evans actually invented the light bulb which Edison got all the credit and wealth for. I expect Americans to be this ignorant but seeing as how one of the slogans of Fox North AKA Sun News is "Unapologetically Patriotic" you would think they might want to show a little hometown pride. But then that would interfere with the point that Levant is trying to make here which is that Robber Barons like Edison must be free from government intrusion so they can create the products that make our lowly lives easier. Right?
Well maybe that whole light bulb affair was an anomaly. Edison invented other stuff right? Like the movies for example. Well no he didn't, but he did buy a lot of patents and became the major film maker in North America at the turn of the 20th century and he used his control of those patents to shut down competition thus retarding the development of the motion picture and record industries for decades while he protected his monopolies. He eventually lost in court, but it cost his competitors a fortune to do it. In the meantime the Europeans (who ignored his patents) were able to develop there own film industries to the point where those in France, Germany, Scandinavia and Italy were actually making more, and much better movies than those in cartel controlled America. It wasn't in fact until after World War 1 wiped out the Europeans and Edison was forced by the courts to give up his patent controls that the Hollywood industry finally took hold. Edison's own film studios didn't survive long, turned out that he had no talent as a film maker, and once there was competition he was finished.
Ditto for later developments in radio when David Sarnoff was able to use his superior resources and ownership of patents (none of which he invented) to keep FM off the dial for decades to protect his AM empire intact. FM was actually discovered by one of his employees, Edwin Armstrong. However Sarnoff decided that FM would make his AM empire somewhat moot, so he had the prototype destroyed and forced Armstrong out. Armstrong fought back by going independent but Sarnoff tired him up with litigation for years until a distraught Armstrong finally killed himself. His widow finally beat Sarnoff in court, but it took years, meanwhile FM was kept off the air for over a decade to the benefit of nobody but Sarnoff and his empire.
Then there's the electric car. There's a whole movie about that. And speaking of movies and cars you might want to check out "Tucker; The man and his dream". And so on. And there was no CRTC or FCC to blame for any of this. Just corporate greed. That's the "bright future" that Levant had in mind. And CKLN's "anti-capitalists" were perfectly happy to endorse this as long as their own pathetic and seedy monopoly is preserved.
Of course since this was written the Tory Government that Ezra Levant carries water for came out for a the most highly restrictive and highly intrusive proposed law to allow police to hack into your emails, with no warrant or probable cause whenever they decide that you, yes you may be a terrorist. Or a child molester. Or a drug lord. Or whatever. I'm sure we can count on Ezra Levant to defend us from this right? Hello? Is this thing on?
Wednesday, 2 March 2011
Memorials for two 1980's Toronto music figures
Mean Steve Piano was a figure in the Toronto Rockabilly scene in the 1980's playing with The Paladins (not the L.A. band of the same name),The Razorbacks, Handsome Ned, Jack DeKeyser, Johnny Dee Fury, The Randy Peters as well as solo. He can be heard and seen playing and singing on the Razorbacks Christmas Special circa 1990 which is unfortunately only available in a very limited edition cassette (yes I have one and no you can't borrow it) however the best of it is on youtube ;
He also inherited Handsome Ned's radio show on CKLN after Ned died in 1987. Later he travelled to Memphis and lived in Europe where he recorded a couple of solo cds in the 1990's.
There's going be a memorial/grogfest Thursday March 10 at The Dominion on Queen;
This is a free and non-profit event for family, friends, fans & musical peers to gather and participate in a musical remembrance and tribute to Mean Steve Piano.
Many of Steve's friends and peers will be performing, including:
Danny Marks, Terry Wilkins, Victor Bateman, Big Rude Jake, Teddy Fury, Paul Brennan, Michael Danckert, Matt Allen, Glenn Kimberley, Ronnie Hayward, Steve Koch, Lori Yates... more to come!
Check back to this event listing as we get closer to March 10th to see the final list of performers. This Tuesday I'll be having some of the performers on my radio show playing live-to-air.
Video footage of The Mean Steve Rock'n Roll Spectaculars will also be screened.
There will be a cash bar and menu available.
Greg Morris was the singer for Johnny Onslaught a Toronto punk band circa late 1980's early 1990's. They only recorded a cassette as well. Onslaught bassist Pete Jones would later go on to the Tijuana Bibles and the Blue Demons. The Demon would also host a show on CKLN.
There is going to be a less formal memorial/grogfest for Greg Morris Monday March 11
at Dimitra's Bistro (Greek Restaurant)
782 St. Clair St. W. Toronto, ON M6C 1B6 (between Atlas & Arlington)
He also inherited Handsome Ned's radio show on CKLN after Ned died in 1987. Later he travelled to Memphis and lived in Europe where he recorded a couple of solo cds in the 1990's.
There's going be a memorial/grogfest Thursday March 10 at The Dominion on Queen;
This is a free and non-profit event for family, friends, fans & musical peers to gather and participate in a musical remembrance and tribute to Mean Steve Piano.
Many of Steve's friends and peers will be performing, including:
Danny Marks, Terry Wilkins, Victor Bateman, Big Rude Jake, Teddy Fury, Paul Brennan, Michael Danckert, Matt Allen, Glenn Kimberley, Ronnie Hayward, Steve Koch, Lori Yates... more to come!
Check back to this event listing as we get closer to March 10th to see the final list of performers. This Tuesday I'll be having some of the performers on my radio show playing live-to-air.
Video footage of The Mean Steve Rock'n Roll Spectaculars will also be screened.
There will be a cash bar and menu available.
Greg Morris was the singer for Johnny Onslaught a Toronto punk band circa late 1980's early 1990's. They only recorded a cassette as well. Onslaught bassist Pete Jones would later go on to the Tijuana Bibles and the Blue Demons. The Demon would also host a show on CKLN.
There is going to be a less formal memorial/grogfest for Greg Morris Monday March 11
at Dimitra's Bistro (Greek Restaurant)
782 St. Clair St. W. Toronto, ON M6C 1B6 (between Atlas & Arlington)
Friday, 11 February 2011
Prof Kitzel's Time Machine Profile; Eck Robertson
~ Eck Robertson (Nov.20 1886 - Feb.17 1975) was a champion fiddler of the early twentieth century and the first known country musician to record.
~ Early years ~
Born in Arkansas as A.C. (Eck) Robertson and raised in Amarillo Texas, Eck learned to play a number of stringed instruments as well as the piano and was a professional musician by 1910. A skilled fiddler he began entering and winning fiddling contests throughout the south and southwest allowing him to bill himself as "The fiddling champion". Eck appears to have had some formal training but he was primarily a folk musician who learned how to improvise and extend songs in a way that is commonly thought of as being an invention of later jazz musicians. By the start of the roaring twenties Eck was already a well established performer throughout the region known for his showmanship as well as his playing. Eck was an outgoing and cocky entertainer who put on a full show, tossing his fiddle up in the air and catching it without missing a beat, playing behind his back, doing somersaults while playing and telling jokes as well as making his fiddle "talk".
ECK ROBERTSON ~ "SALLY GOODEN";
~ Recording years ~ ..
On June 30 1922 Eck became the first authentic country musician when he traveled north to New York with another fiddling champ Henry Gilliard, an octogenarian civil war veteran, to record an legendary session for the Victor Talking Machine Company. In later years many myths have been written about this session describing how Eck dressed in full cowboy regalia with satin cowboy shirt with pearl buttons and leather cuffs, ten gallon hat, pearl belt buckle, embroidered cowboy boots with spurs and with Gilliard dressed in full Confederate dress uniform, simply showed up at Victor's offices and demanded to be recorded "pronto". In actuality the session had been arranged in advance by a Martin Littleton a lawyer acquaintance of Eck's (Eck was also a justice of the peace in Texas) who did work for Victor and thought there might be a market for traditional music. The duo recorded a single of "Arkansas Traveller" and "Turkey in the straw" with Eck later recording two more singles, one solo and another with an unknown pianist. Contrary to myth these singles were not hugely successful but did well enough to encourage other record companies to also record early country musicians such as Vernon Dalhart, and Fiddin' John Carson who quickly became best sellers and established country music as big business. Eck himself would record only fourteen sides for Victor before the great depression hit in 1929 dropping the bottom out of the recording industry. ..
ECK ROBERTSON ~ "TURKEY IN THE STRAW";
~ Later years ~ ..
The depression years were hard on all rural performers Eck included, musical tastes also changed as country music became more song oriented and developed into honky-tonk, bluegrass, hillbilly boogie and western swing. Eck continued to play at fiddling conventions and medicine tent shows in the southwest, making much of his income from being a Justice of the peace as well as piano tuning, repairing fiddles and other stringed instruments and giving lessons. The folk revival of the late fifties and early sixties brought him some notice from a new generation of fans like the Seegers and he appeared at various folk festivals and made a few live recordings. In the early seventies his home and workshop burned down and he moved into a rest home where his prize fiddle was stolen. He died at the age of 88 in 1975.
ECK ROBERTSON IN LATER YEARS;
Subscribe to:
Posts (Atom)